'The pages of 11.22.63 fly by, filled with immediacy, pathos and suspense. It takes great brazenness to go anywhere near this subject matter. But it takes great skill to make this story even remotely credible. Mr. King makes it all look easy, which is surely his book's fanciest trick.' (New York Times )
'A wonderful book: page-turningly exciting, witty, wise, melancholic. But also utterly human, profoundly decent' (Ashley Pharoah, co-writer and co-creator of Life on Mars and Ashes to Ashes )
'Take King's hand and allow him to lead you into a past so vibrant and complete that you can almost taste it. But hold on tight, the Master of Horror has now become the Master of Time . . . Utterly enthralling, emotional and magical' (Matthew Graham, co-writer and co-creator of Life on Mars and Ashes to Ashes )
'Fine stories to take with us into the night.' (Neil Gaiman on FULL DARK, NO STARS in the Guardian )
'America's greatest living novelist.' (Lee Child )
'King's gift of storytelling is unrivalled. His ferocious imagination is unlimited.' (George Pelecanos )
'King's most purely entertaining novel in years . . . utterly compelling.'
(John Connolly on UNDER THE DOME )'Staggeringly addictive.'
(USA Today on UNDER THE DOME )'Tight and energetic from start to finish.'
(New York Times on UNDER THE DOME )'The pedal is indeed to the metal.'
(Guardian on UNDER THE DOME ) WHAT IF you could go back in time and change the course of history? WHAT IF the watershed moment you could change was the JFK assassination? 11/22/63, the date that Kennedy was shot - unless . . .King takes his protagonist Jake Epping, a high school English teacher from Lisbon Falls, Maine, 2011, on a fascinating journey back to 1958 - from a world of mobile phones and iPods to a new world of Elvis and JFK, of Plymouth Fury cars and Lindy Hopping, of a troubled loner named Lee Harvey Oswald and a beautiful high school librarian named Sadie Dunhill, who becomes the love of Jake's life - a life that transgresses all the normal rules of time.
With extraordinary imaginative power, King weaves the social, political and popular culture of his baby-boom American generation into a devastating exercise in escalating suspense.
